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Paris La Defense does fit this pattern if you consider the Waiting For Cousteau title track was played across the city in the hours before the concert officially started.
As far as I remember, there was intended to be another Destination Docklands show in Lyon in '89 - where the buildings used as screens would have been demolished as the finale! Jean-Michel was a little too ambitious for the 'Destination....' concept - the London Docklands show was intended to span ...
Wow - I'd forgotten about that. Thanks! CPLT is really quite special. Without the the canvas of buildings, via a mega backdrop of vertical skyscrapers or a horizontal panorama of buildings (e.g. PLD, Houston, Lyon) so much attention was on the stage. It was the last time in my opinion that combinati...
Thanks. I def think they are a LAG creation too. Just wish I knew the name. I recall a short video clip, in his Croissy studio, around the time of Zoolook, when he was demonstrating CMI Fairlight sampling, and these boxes were in his studio. He showed how he could play back a sample thru the boxes. ...
Yeah, I remember seeing the Mark Fisher Tokyo drawings. The drawings also appeared in a book about architectural designs, that was in an office where I used to work. Thanks for the explanation about why Tokyo didn't go ahead.
Does nobody know what these boxes are called? They must have a name! Can you image the concert planning for Lyon in 1986? JMJ: "Well, we start off with me walking down the steps slowly with the custom painted Yamaha. Meanwhile, Michel Geiss will be playing the plastic boxy things. Then, as we g...
Interesting - I wonder if the musical link with Ron McNair actually came first? And it was simply be a musical project, without any connected concert? But only later, the idea of the concert came along? And it grew from there? I always thought the concert idea was the beginning of the project, and t...
I see! I didn't realise about the screens or the counting of people from much further out that could see the fireworks. Fair enough! Strange thing about Moscow is that it wasn't really a "city in concert" - using downtown buildings as the stage! - it was more like a "a single universi...
Yeah, both good points Shadow and Dr Jones. Hadn't thought of that way, that music from 7-13 has appeared in the live sets recently. Good points. I just feel there were some missed opportunities to wrap the whole trilogy together when Oxygene 14-20 came out. Anyways, I've been doing a lot of running...
Thanks!