I would imagine that it would be after a new album. But someone should definitely relay the idea to him.Kanta wrote:If he was to do this it would delay other things e.g. new album imho. But still a grand idea.
After the new album, he would have to do album promotion and other things.Analog-Umph wrote:I would imagine that it would be after a new album. But someone should definitely relay the idea to him.Kanta wrote:If he was to do this it would delay other things e.g. new album imho. But still a grand idea.
Perfect, he could do both.Kanta wrote:After the new album, he would have to do album promotion and other things.
I agree, it would be fantastic to see a documentary like this. One thing I'd really like to know is was the Eminent present in his recording studio at his Rue de Tremoille apartment in Paris - there are a couple of photos on the web from around this time and I can't see the Eminent in any of them - I think I read at some point that he didn't own an Eminent at the time of Oxygene but borrowed it off of Francis Rimbert - they're not the sort of thing you just lend to someone are they...can anyone shed any light on this?Matt wrote:I would love to actually visually see how Oxygene was recorded. It would be of huge interest to me to see how, with the use of all the old gear even the 8 track tape recorder, everything was put together with alternative takes etc. I've just watched the Pink Floyd DSOTM Classic Album doco which was brilliant and would love to see the making of Oxygene under the same microscope. I'm sure i'm not alone.
He had one in his studio. He got the idea when he saw Perrier using one on Christophe's music in one of the Parisian studios (Ferber I think). I don't know if he had an eminent of his own at the time or if he borrowed it for a while, but during the prior to and during the recording he had it in his studio since it is omni-present on the album.russ wrote:I agree, it would be fantastic to see a documentary like this. One thing I'd really like to know is was the Eminent present in his recording studio at his Rue de Tremoille apartment in Paris - there are a couple of photos on the web from around this time and I can't see the Eminent in any of them - I think I read at some point that he didn't own an Eminent at the time of Oxygene but borrowed it off of Francis Rimbert - they're not the sort of thing you just lend to someone are they...can anyone shed any light on this?Matt wrote:I would love to actually visually see how Oxygene was recorded. It would be of huge interest to me to see how, with the use of all the old gear even the 8 track tape recorder, everything was put together with alternative takes etc. I've just watched the Pink Floyd DSOTM Classic Album doco which was brilliant and would love to see the making of Oxygene under the same microscope. I'm sure i'm not alone.
Yes... the £50,000 VST host!GeeJee wrote:Ah, of course!! How could I ever forget you could run actual VSTi's on the Fairlight!!!!!Dr. Who wrote:I'm pretty sure he didn't own one at the time. He used Virtual String Machine