First I always skipped it, it just didn't make sense somehow, but nowadays I love it, it has a very nice atmosphere!
The Future Sound of London used Tokyo Kid as inspiration for their track Ameoba.GeeJee wrote:Hell yeah, Tokyo Kid RULES
First I always skipped it, it just didn't make sense somehow, but nowadays I love it, it has a very nice atmosphere!
JMJ is capable of a fair amount musically, including diverse musical styles,Equin(00)xe wrote:This album shows he is capable of some proper rhythm programming when he puts his mind to it....Overall its a great Album
GeeJee wrote:Why do you think so?There's barely piano parts in there, except for the London Kid arpeggios
I remember thinking the same when it came out. And did so for a long while.GeeJee wrote:I do think this album sounds a bit 'flat'. The orchestral suite at the beginning could've sound way more powerful with a lot more fx, which counts for all tracks on the album, imo.
Equin(00)xe wrote: Probably the one Album where Jarre has put more effort into his Drum Programming,every other albums seems to be based around the same loops with no real fills.
If it fits the tracks.AMR wrote: All the album has by far the best and most futuristic percussion anywhere.
To bad JMJ gave up on it after a successfull revisit (though short) with Calypso 2 intro.
Mogan wrote:and it's way to much industry sounds...