Revolution


Post Posted Mon Apr 17, 2006 8:36 am
GeeJee
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Location: Zwolle, The Netherlands

Hell yeah, Tokyo Kid RULES :shock:

First I always skipped it, it just didn't make sense somehow, but nowadays I love it, it has a very nice atmosphere! 8)
Post Posted Mon Apr 17, 2006 4:50 pm
BnM
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GeeJee wrote:Hell yeah, Tokyo Kid RULES :shock:

First I always skipped it, it just didn't make sense somehow, but nowadays I love it, it has a very nice atmosphere! 8)
The Future Sound of London used Tokyo Kid as inspiration for their track Ameoba.
TK has one of the best drum programming of any EM tack: including Aphex Twin's stuff.
Continually in flux.

Revolutions is I think Sylvian Durand's favourite album.
Post Posted Mon Apr 17, 2006 4:52 pm
GeeJee
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Why do you think so? :roll: There's barely piano parts in there, except for the London Kid arpeggios :roll:
Post Posted Mon Apr 17, 2006 4:53 pm
BnM
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Equin(00)xe wrote:This album shows he is capable of some proper rhythm programming when he puts his mind to it....Overall its a great Album
JMJ is capable of a fair amount musically, including diverse musical styles,
if he puts his mind to it.
He has a natural gift for it.
Post Posted Mon Apr 17, 2006 4:56 pm
BnM
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GeeJee wrote:Why do you think so? :roll: There's barely piano parts in there, except for the London Kid arpeggios :roll:

I remember reading it somwehre, where SDurand said Revolutions was his favourite album.
Also FSOL making a satement about TKid.
Post Posted Mon Apr 17, 2006 5:19 pm
BnM
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GeeJee wrote:I do think this album sounds a bit 'flat'. The orchestral suite at the beginning could've sound way more powerful with a lot more fx, which counts for all tracks on the album, imo. :D
I remember thinking the same when it came out. And did so for a long while.
Nowadays, I just notice the composition.
Which overall is superb.
Post Posted Mon Apr 17, 2006 5:23 pm
BnM
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Equin(00)xe wrote: Probably the one Album where Jarre has put more effort into his Drum Programming,every other albums seems to be based around the same loops with no real fills.
AMR wrote: All the album has by far the best and most futuristic percussion anywhere.
To bad JMJ gave up on it after a successfull revisit (though short) with Calypso 2 intro.
If it fits the tracks.
Generally I have found JMJ to be fairly spot on with how the drums parts fit the tracks.
Post Posted Mon Apr 17, 2006 5:33 pm
Finaero
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I have noticed that the tracks in Revolutions nearly always make me imagine some scenarios along with the music.

Industrial Revolution Overture is like a train moving through some factories in 1850's or so on, moving for the next target.

In Industrial Rev. 1 the train has reached some target, and some industrial spy moves around the factories snooping around, and then he is noted by the authorities and they chase him, until in the end he catches another train again, but it swerves from its rails to some pit.

Industrial Revolution 2, there's has been an accident in the factory and it has started raining like mad and there's a lot of smoke and people running. And along the train wreck, the industrial spy starts to wake up.

In Industrial Rev. 3 he notes that it isn't raining anymore, and he seems to be able to walk around the wreck. He is now heading for the factory back, and by the end of the song when he reaches it, he actually starts to wake up and then he notes he has just been hanged :P

London Kid... surprisingly, reminds me of Jarre and Hank Marvin playing it on Docklands, but in my vision the angles are totally different, most of the stage is covered in dark and the city is not visible, and there's only Jarre and Marvin playing London Kid like mad.

Revolutions... depending on the version, I seem to think of either the Docklands or La Defense performance :/

Tokyo Kid has awesome mood, like some undercover agent moving in downtown Tokyo during night time, doing stuff and asking questions and so on.

Computer Weekend, a freaking white cat walks by some wall and starts mourning, getting other cats to join him and then they all mourn. Woah.

September... the Docklands performance :p

The Emigrant, however, reminds me of nuclear bombing and people running away from the blast. Everything is also in slow motion..


Okay, I don't think all of this every time, but these were the ones today :p
Post Posted Mon Apr 17, 2006 6:09 pm
Mogan
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Location: Bodø, Norway

I didn't like Revolutions so good. I think it's to metallic and it's way to much industry sounds... :?
Post Posted Mon Apr 17, 2006 7:30 pm
Equinoxe
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Mogan wrote:and it's way to much industry sounds... :?

thats the whole concept!!!!its about the Industrial age

Read more about the Industrial Revolutions of the 1800's you'd Understand how it fits the whole concept
Post Posted Tue Apr 18, 2006 1:38 pm
PMgep
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Location: Helsingborg, Sweden

I love the album, specially sida A. I was so happy when Industrial Revolution vas played in Gdansk :D
Heaven has a beer volcano
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Post Posted Wed Apr 19, 2006 6:08 pm
moonwalker
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Location: Poland

Really great album!!! :D I like London Kid, Revolutions and the Overture of course :D:D:D
"Music is the human treatment of sounds." JMJ
Post Posted Wed Apr 19, 2006 8:40 pm
radek tymecki
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i love this album especially rev ind 1, 2 and 3 :D
Post Posted Thu Apr 20, 2006 12:01 am
Livgivare
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Location: Sweden, at the middle!

My favourite!

Love Leelene
Cool sites look for Livgivare
www.ukcentral.co.uk
www.bookcrossing.com

I am mostly afk due to the fact that I have many exams and alot to read and study to get grades right now!
Post Posted Thu Apr 20, 2006 9:06 am
moviemaker
Posts: 526
Location: HollywoodLAND

Finaero...thought your images/ideas were great!







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