2 RMI sounds?Herr Dunkel wrote:Cool demo, thanks!
During his 1997 Oxygène Tour Jarre used a Norldlead (or more likely the new Nordlead 2 he had recently got at the time) to play Oxygène IV sounds. At the very least he demoed 4 sounds with it before playing the track: wind effect, main melody, and the 2 RMI chorus sounds you demoed.
Analog-Umph wrote:2 RMI sounds?Herr Dunkel wrote:Cool demo, thanks!
During his 1997 Oxygène Tour Jarre used a Norldlead (or more likely the new Nordlead 2 he had recently got at the time) to play Oxygène IV sounds. At the very least he demoed 4 sounds with it before playing the track: wind effect, main melody, and the 2 RMI chorus sounds you demoed.
The lead and?
Good point. I never thought of it as 2 sounds, but now that you mention it, the higher octave does sound disconnected from the lower octave. Perhaps differently processed or different partial setting on the additive synth.Herr Dunkel wrote:Analog-Umph wrote:2 RMI sounds?Herr Dunkel wrote:Cool demo, thanks!
During his 1997 Oxygène Tour Jarre used a Norldlead (or more likely the new Nordlead 2 he had recently got at the time) to play Oxygène IV sounds. At the very least he demoed 4 sounds with it before playing the track: wind effect, main melody, and the 2 RMI chorus sounds you demoed.
The lead and?
They are both the lead - 1 sound has a lower pitch than the other one, but it seems the difference is more than just the pitch. What do I know? At any rate Jarre announces 4 sounds "first, second, third, fourth" when he talks to the audience.
Have you got a dry example of it. And then a wet example.matt222 wrote:The sound on the Tour demo was a new - yet to be released - Nordlead 2
I made my sound on this very keyboard - getting the first one into the UK!
It is quite a thin sound in isolation and only becomes 'The Oxygene Sound when put through the Electric Mistress pedal
In that case then my first post in this thread still stands. Comparing Jarre's and yours the differences are stark. You are using a subtractive synth, and that can never do additive timbres, especially in the very high frequencies, which is key to this sound.matt222 wrote:Absolutely!
Yes, the dry sound can be heard through the demo at the begining of this thread. You can hear me messing with settings on the Electric Mistress
Ahh I see. It's the closest I managed to get it on my NordleadAnalog-Umph wrote:In that case then my first post in this thread still stands. Comparing Jarre's and yours the differences are stark. You are using a subtractive synth, and that can never do additive timbres, especially in the very high frequencies, which is key to this sound.matt222 wrote:Absolutely!
Yes, the dry sound can be heard through the demo at the begining of this thread. You can hear me messing with settings on the Electric Mistress